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Home > World Tour > Ireland > Irish Dancing
Irish Dancing
Irish dances can broadly be divided into
social dance and performance
dances. Irish social dancing can be divided further into
céilí and
set
dancing. Irish set and céilí dances are usually danced by formations (sets) of couples, often in squares of four couples, also called a four hand. Irish social dance is a living tradition, and variations in particular dances are found across the Irish dance community; in some places, dances are deliberately modified and new dances are
choreographed
Irish performance dancing is traditionally referred to as stepdance. Irish stepdance, popularized in 1994 by the world-famous show
"Riverdance," is notable for its rapid leg movements, body and arms being kept largely stationary. Most competitive stepdances are solo dances, though many stepdancers also perform and compete using traditional set and céilí dances. The solo stepdance is generally characterized by a controlled but not rigid upper body, straight arms, and quick, precise movements of the feet.
The dancing traditions of Ireland probably grew in close association with Irish traditional music. Originating in Pre-Christian Ireland, Irish dance was later influenced by dance forms from the Continent, especially the
Quadrille. Travelling dancing masters taught all over Ireland as late as the early 1900s.
Sean-nós Dancing
The tradition of step dancing in Ireland grew from an indigenous form of percussive dance that developed alongside traditional Irish music. The current incarnation of this tradition is known as sean-nós dancing
(damhsa ar an sean-nós or rince sa sean-nós). The strongest tradition of sean-nós dancing persists in the
Connemara Gaeltacht in the West of Ireland, although
sean-nós dancers can be found throughout Ireland.
Sean-nós, which literally means 'old style' or 'old way' in the Irish language (Gaeilge), is a form of old-style solo step dancing. Characteristics of sean-nós dancing include percussive steps, relaxed arms and upper body, steps danced close to the floor, self-expression, improvisation, and an emphasis on the relationship between the steps and the music. Most sean-nós dancers prefer to dance to one musician. The melodeon or accordion is a popular choice for the accompaniment of sean-nós dance.
Sean-nós dancing is generally non-competitive, and sean-nós dancers can be found performing in homes, in pubs, and at céilís. The largest gathering of sean-nós dancers occurs at
An Oireachtas na
Gaeilge, an annual festival which celebrates the Irish language (Gaeilge) and includes the most prestigious competitions in sean-nós dancing and sean-nós singing.
Sean-nós dancing has experienced a revival in the past ten years with increasing participation by people of all ages learning the steps through classes and workshops. Fledgling sean-nós dance communities are appearing outside of Ireland in the United States and Australia.
Old-Style Step Dancing
(Also termed
Munster-style sean-nós
dancing.)
Old-style step dancing (a tradition related to but distinct from sean-nós dancing) evolved in the late 18th and early 19th century from the dancing of traveling Irish dance masters. The dance masters slowly formalized and transformed both solo and social dances. Modern masters of old-style step dancing style can trace the lineage of their steps directly back to 18th century dancers. The dance itself is of medium tempo.
The Irish dance masters refined and codified indigenous Irish dance traditions. Rules emerged about proper upper body, arm, and foot placement. Also, dancers were instructed to dance a step twice -- once with the left foot and once with the right. Old-style step dancers dance with arms loosely (but not rigidly) at their sides. They dance in a limited space. There is an emphasis on making percussive sound with the toes.
The Irish dance masters of this period also choreographed particular steps to particular tunes in traditional music creating the solo set dances such as the
Blackbird, St. Pat's Day, and the
Job of Journey
Work, which persist in Modern Irish Step Dancing.
Irish céilí dances
Irish social, or céilí (pronounced
/'keli/ in English) dances vary widely throughout Ireland and the rest of the world. A céilí dance may be performed with as few as three people and as many as sixteen. Céilí dances may also be danced with an unlimited number of couples in a long line or proceeding around in a circle (such as in
"The Walls of
Limerick", "The Waves of
Tory", or "Bonfire
Dance"). Céilí dances are often fast and complex. In a social setting, a céilí dance may be "called" -- that is, the upcoming steps are announced during the dance for the benefit of newcomers.
The term céilí dance was invented in the late 19th century by the Gaelic League to distinguish non-quadrille dances from the quadrille-based set dances, which were thought to be a British or foreign import to Ireland.
Céilí as a noun differs from the adjective céilí. A céilí is a social gathering featuring Irish music and dance. Céilí dancing is a specific type of Irish dance. Some céilithe (plural of céilí) will only have céilí dancing, some will only have set dancing, and some will have a mixture.
In various parts of Ireland on
St. Stephen's
Day, December 26th, Wrenboys (mummers) celebrate
Wren Day (also pronounced as the Wran) by dressing up in straw masks and colorful clothing and parading through towns and villages accompanied by traditional céilí music bands. This tradition also exists (or existed) in various parts of Britain, especially Wales.
Irish set dances
Irish set dances are folk dances of Ireland based on
French
quadrilles. Most are done in square sets of four couples and consist of several "figures," each of which has a number of parts. The styles of the various steps in a dance vary from place to place and from set to set. The sets come from various parts of Ireland and are often named for their place of origin; examples are the
Corofin Plain Set, the South Galway Set and the Clare Lancers
Set. The music can be a reel, jig, slide or polka, but though types of tunes are frequently mixed within the set, only one type is used for a given figure.
Irish set dancing is popular throughout Ireland as well as in Canada, the United States, Australia, Europe and other countries. Social set dancing is not usually competitive, but Comhaltas Ceoltóirí Éireann does hold competitions. The term "traditional set dancing" also describes a different type of competitive solo stepdancing taught by Irish dance schools.
Roots of Irish stepdance
Stepdancing as a modern form is descended directly from old-style step
dancing. There are several different forms of step dancing in Ireland (including sean-nos dancing and old style step dancing), but the style most familiar to the public at large is the Munster, or southern, form, which has been formalised by
An Coimisiún le Rincí
Gaelacha—the Irish Dancing Commission.
Irish stepdancing is primarily done in competitions, public performances or other formal settings.
Dances
Irish solo stepdances fall into two broad categories based on the shoes worn: hard shoe and soft shoe dances.
Soft shoe dances include the reel, slip jig, light jig, and single jig. Reels have a 4/4 time signature. Slip jigs are in 9/8 time. Light and single jigs are in 6/8 time, with different emphasis within the measure distinguishing the music. Hard shoe dances include the hornpipe, in 2/4 time, the treble jig, in a slow 6/8, the treble reel, and traditional sets, which are a group of 36 dances with set music and steps. Many traditional sets have irregular musical phrasing. There are also more advanced "non-traditional sets" done by advanced dancers. These have set music, but not steps.
The céilí dances used in competitions are more precise versions of those danced in less formal settings. There is a list of 30 céilí dances which have been standardised and published in
An Coimisiún's Ar Rinncidhe Foirne as examples of typical Irish folk dances; these are called the "book" dances by competitive stepdancers. Most stepdance competitions only ask for a short piece of any given figure dance, in the interests of time.
Shoes and costume
Two types of shoes are worn in step dancing: hard shoes and soft shoes. The hard shoe is similar to tap shoes, except that the tips and heels are made of fiberglass, instead of metal, and are significantly bulkier. The first hard shoes had wooden or leather taps with metal nails. Later the taps and heels were changed into resin or fiberglass to reduce the weight and to increase the footwork sounds. The soft shoes, which are called
ghillies, resembles a ballet shoe minus the hard toe and the ribbons for laces. Ghillies are only worn by girls while boys wear a black leather shoe which resembles a black jazz shoe with a hard heel. Boys soft-shoe dancing features audible heel
clicks
Several generations ago the appropriate dress for a competition was simply your "Sunday Best". In the 1980s ornately embroidered dresses became popular. Today even more ornamentation is used on girls' dresses, including lace, sequins, silk, extensive embroidery, feathers, and more.
Irish Dancing schools have team dresses, but dancers, once they reach a level decided by their school, may get a solo dress of their own design and colors. Today most women and girls curl their hair or wear a wig for a competition or feis. Today in competition, most men wear a shirt, vest, and tie assigned by their school paired with black pants. But when they get into the higher levels, as the girls do, they get to pick their own vest, shirt and tie.
Competition structure
An organized step dance competition is referred to as a
feis. The word feis means "festival" in Irish, and strictly speaking would also have competitions in music and crafts.
Féile
is a more correct term for the dance competition, but the terms may be used interchangeably. Dance competitions are divided by age and level of expertise. The names of the levels vary between countries and regions.
An good regional Championship competition is known as an
oireachtas. Dancers from each age group may qualify for the World Championships. Qualifying for the World Championships,
Oireachtas Rince na
Cruinne, (roughly translated to Irish Dance Championship of the World) varies slightly due to the competition or region. In the United States, dancers may qualify at either a Regional
Oireachtas, or the North American Championships, which includes the U.S., Canada and Mexico. The World Championships have in years past only been held in Ireland, Northern Ireland, or Scotland, however in 2009, for the first time they will be held in the United States in Philadelphia.
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